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Browse guides 13–24 of 500. Choose a lesson below or explore a recording category.
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Put it into practice
Choose a light by softness, placement flexibility, and room size. Ring lights suit frontal setups, softboxes spread a larger soft source, and panels can fit tighter spaces.
Read guideBegin with consistent light on the scene, then compare each phone's recorded image. Use exposure and white-balance controls only where the chosen app and mode support them.
Read guideAdd usable light and avoid underexposing the subject. Noise reduction can help later, but it cannot restore detail that the camera never captured.
Read guidePlace the subject near a window with the camera looking from the room toward the subject, rather than putting a bright window directly behind the face.
Read guideUse a small amount of light to distinguish the subject from the background. Separate the lighting of the person from decorative background color.
Read guideMove the light's reflection away from the camera by changing light height and side angle. The right position depends on the glasses and the speaker's head movements.
Read guideColor temperature describes the warm-to-cool appearance of a light source. Matching sources matters more than choosing one Kelvin value for every recording.
Read guideUse one soft key, keep the subject off the wall where possible, and control spill before adding fixtures. Small rooms benefit from deliberate placement more than sheer brightness.
Read guideChoose a microphone by the subject's movement, recording distance, and actual phone compatibility. A microphone suited to the camera position may still be wrong for the sound source.
Read guideGet a microphone close enough to each voice, then plan how those signals will be recorded. A phone across the room usually captures too much room sound for clear dialogue.
Read guideMove the microphone closer and add soft surfaces near reflective areas. Reducing room echo at capture is usually more effective than relying entirely on cleanup later.
Read guideStart close enough for clear speech, then adjust for plosives, bass buildup, and movement. The useful distance depends on the microphone's design and the room.
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