Color & Post-Production3 min read
Match footage from different phones by normalizing exposure and color balance before adding a creative grade. Similar-looking capture settings do not guarantee identical rendering across devices.
Read guide ↗ Color & Post-Production3 min read
Use mobile Log capture only when the device, capture app, storage, and finishing workflow support it. Log and ProRes describe different aspects of recording and should not be treated as interchangeable settings.
Read guide ↗ Color & Post-Production3 min read
A LUT is a predefined color mapping, not an automatic fix for exposure or white-balance differences. Use a technical transform appropriate to the source before applying a creative look.
Read guide ↗ Color & Post-Production3 min read
Make angle transitions feel natural by cutting for a reason: a new speaker, an important action, or a useful detail. The viewer should gain information without losing the scene's geography.
Read guide ↗ Color & Post-Production3 min read
Add mobile titles and callouts where they clarify the subject, with enough contrast and reading time at phone size. Motion should support the explanation rather than compete with it.
Read guide ↗ Color & Post-Production3 min read
Correct exposure mismatches by choosing a reference angle and making restrained adjustments to the others. Detail clipped during capture may be unavailable, so prevention remains part of the workflow.
Read guide ↗ Color & Post-Production3 min read
Reformat landscape coverage into vertical video by identifying the main subject and preserving the information viewers need. A centered automatic crop is not always appropriate for a multi-person scene.
Read guide ↗ Color & Post-Production3 min read
Keep synchronized dialogue and action at normal speed until the sequence is aligned, then apply speed changes deliberately in a capable editor. Capture frame rate and playback speed are different decisions.
Read guide ↗ Color & Post-Production3 min read
A dual-angle green-screen shoot needs an evenly lit background, separated subject lighting, and a clean key from each camera's view. One good angle does not guarantee the second will composite cleanly.
Read guide ↗ Color & Post-Production3 min read
Compare CapCut, LumaFusion, and DaVinci Resolve for iPad using the same sample project and your actual device. The right editor depends on required tools, supported media, and delivery rather than a universal winner.
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